biography & statement
Alexandra Fongaro was born in New Jersey in 1993. She currently lives and works in Rome, Italy. (Photo Misia Bottaro)
There are predictions that humankind is destroying the Earth, but for whom? Humanity may extinguish itself, yet the force of nature will endure. The industrial systems that erode ecosystems are brief gestures against geological time. Long after human dominance recedes, new generations of flora and fauna will adapt and evolve beyond us. Yet as monocultures expand and genetic modification accelerates, what kind of world will survive us?
Artificial nature repeats itself in endless fields of mono crops, landscapes that inform my painted works. In the name of efficiency and research, chlorophyll is sacrificed, as is the intensity of pigment on my canvasses and paper. The food chain is continually modified to suit geographic preference and market demand: produce grows larger, more uniform, more durable, yet increasingly diluted, estranged from taste. What forms of communication will emerge among flora and fauna once human control ceases, when it is no longer silenced or interrupted?
I position myself as a vehicle rather than an author. My practice seeks to reduce the dominance of the self by relinquishing control to water, pigment, and sustainable supports-unprepared cotton canvas, recycled cotton paper, salvaged and donated human hair. Through processes that invite absorption, bleeding, and chance, the materials assert their own agency. I imagine cited scientific articles and popular beliefs, through the perspective of a lightbox, or microscope, in which time seemingly ceases, where shadows cannot be defined, and thus neither can time.
While the paintings envision ecological aftermaths, para pastoral landscapes shaped by human excess, the works incorporating donated hair operate as a counterpoint. Hair is a regenerative and renewable material with the capacity to absorb and adsorb. In contextualizing hair as a sustainable medium, I gesture toward resilience: even within systems of extraction and modification, the body retains the potential to regenerate.
2024
Parco delle Stelle | Rome, Italy Solo exhibition curated by Alessandro Martina
2023
Teatro Sala Umberto I | Rome, Italy Double Solo exhibition curated by Giorgia Grassi
2022
Ottica Spiezia | Rome, Italy Installation curated by Benedetta Monti
Arte in Costruzione Ricci S.p.A. Grant | Rome, Italy
Curva Pura | Rome, Italy Double solo exhibition curated by Nicoletta Provenzano
solo exhibitions
2025
Dolomiti Contemporanea | Progetto Borca Borca di Cadore, Italy Ripa Ripa in Rampa curated by Gianluca D'incà Levis
Dolomiti Contemporanea | Nuovo Spazio di Casso, Italy Detriti/ Frammenti / Schegge / Brecce, curated by Gianluca D'incà Levis
2024
Dolomiti Contemporanea | Casa Cametti Borca di Cadore, Italy Gemmazione curated by Simone Cametti
Frequenze dal Sottosuolo | Studio Pisani Rome, Italy curated by Sara Bernabucci
Berry Campbell | New York City, NY Postcards from the Edge
2023
PRAC | Ponzano Romano, Italy
La Natura delle Cose curated by Graziano Menolascina
Contemporanea Art| Tagliacozzo, Italy Finalist for X Edition Prize
Palazzo Farnese | Rome, Italy In collaboration with Institut Français Italia & the French Embassy
Casa Cent'anni| Rome, Italy Group show curated by Roberta Argenta
YAG Garage | Pescara, Italy Finalist for Lazio Prize III Edition
2022
Studio Longo | Rome, Italy Group show curated by Valeria De Siero
Laboratorio KH | Rome, Italy Group show curated by Andrea Aquilanti & Fabrizio Pizzuto
La Nuova Pesa | Rome, Italy Group show curated by Andrea Aquilanti & Fabrizio Pizzuto
2021
Piazze Romane Grant | Rome, Italy Winner in Collaboration with Municipio I Roma
Povos | Chicago, Illinois
group exhibitions
residencies
2024
PRAC Catalog | Print
2023
Segno | Print La Natura delle Cose
Il Messaggero | Print Paola Pisa A Palazzo Farnese L'Ambasciatore Martin Briens presenta...
2022
Inside Art | Online Elena Fratini Pinocchio Was a Girl Link
Juliet Magazine | Online Pinocchio Was a Girl Link
Segno Online | Online Pinocchio Was a Girl Link
Globus | Online Pinocchio Was a Girl Link
2021
Artribune | Online Arte pubblica agghiacciante a Roma. Maiali in porchetta e nasoni Link
2025
Dolomiti Contemporanea | Progetto Borca Borca di Cadore, Italyi
2024
Dolomiti Contemporanea | Casa Cametti Borca di Cadore, Italy
publications
contact
afongaro@gmail.com
+39 339 566 4778
@fongarina