I do not actively pursue subjects, the muses make themselves apparent to me, in my dreams and my reality. They may be unable to distinguish 
these realms and exist in between in the context of a painting. I am a medium in which they guide and my experiences and desires lend themselves to what they wish to communicate. They are concerned with fragments and my perception fixes itself on a single point: a hip, a flower, a tile and often matter ceases to exist 
past these points- there is a void, uncertainty, or world that exists outside the painted subject.

I explore the translation and symbiosis of traditional media into digital media in my work, by establishing a common ground of visual stimulus, yet relying on their inherent differences to create two unique experiences: the analog and digital. Movement is the unifying motif that guides this exploration. It may present  itself through the discovery of a collection of movements specified in time, through frames or animation, or the transformative experience of the viewer moving  around the work itself. Even when creating two dimensional works, the application of the paint and how its quality changes, by moving physically around it as the viewer, is always considered.
 
I search and am found to present my work in contexts which allow the public to experience my work in places with an ithos of inclusion and accessability. I compose my paintings with exaggeration, embellished by the void or negative space they are often situated in. This serves as a reminder of the material quality of the work and an invitation for the viewer to fill the space with their own projected images.